Field Kallop in AirMail

September 19, 2022

by voltzclarke

Circles SEPTEMBER 22 – NOVEMBER 11, 2022 VOLTZ CLARKE GALLERY / NEW YORK / ART   Shadow Forest, acrylic, gold leaf and silver leaf on canvas by Field Kallop.   Posted September, 2022.  Written by L.J.   The simple circle—a head, the moon—is among every child’s first achievements in drawing. It is also a symbol of eternity and infinity. What happens when a circle meets a grid, and is then irradiated with spectral colors? Curves and crosses, geometries and orbits, Op art intensities that recall Buddhist mandalas …

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Catching Up with Natasha Law

September 15, 2022

by voltzclarke

Published in June by C2 Art Advisors As part of our ongoing effort to highlight contemporary female artists whose work we admire and look forward to following in the years ahead, C2 is thrilled to share an interview with London-based artist Natasha Law. We are excited to feature recent installations of works by the artist in our collectors’ homes.  The arresting paintings of Natasha Law have long captivated us. The artist is known for capturing silhouettes of women in some …

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Elena Gual in Forbes Arts

September 15, 2022

by voltzclarke

Spanish Artist Elena Gual Empowers Female Bodies With First Solo Show In The United States Elena Gual GOD IS A WOMAN 200 x 150 cm oil on canvas 78,74″ x 59,05″ Written by Natasha Gural Published Sep 9, 2022,01:11pm EDT Her long dark hair tucked behind her shoulders, her arms outstretched alongside her body, a tanned nude woman walks toward the viewer, her right foot leading in a theatrical stride. Two nude women with similar complexions kneel to her right, …

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Holland Cunningham in The Daily Front Row

September 15, 2022

by voltzclarke

Show Time Written by Eddie Roche Daily Front Row Summer Issue “This fall, Voltz Clarke Gallery on the Lower East Side of Manhattan welcomes painter Holland Cunningham for a solo show, Details, running from November 17th through the end of the year. THE DAILY SUMMER get the scoop from the artist herself on what they show will look like and how photography plays a key role in her work.” -Eddie Roche You’ve shown with Voltz Clarke Gallery; How did your …

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Alumni Spotlight: Blair Voltz Clarke in UGA TODAY

May 4, 2022

by voltzclarke

Blair Voltz Clarke runs an internationally regarded art advisory business in New York City, and is the owner of Voltz Clarke Gallery. She is also a noted collector herself. The desk in her office, shown here, was once owned by Gianni Versace.

Bradley Sabin Solo Exhibition at Ohr – O’Keefe Museum of Art

February 24, 2022

by voltzclarke

An avid gardener and sculptor, Bradley Sabin finds inspiration through the nature around him. He describes his work as a metaphorical equation to the care and time, which is needed to have a healthy garden to human relationships that also require nurturing and protecting to flourish. Unlike other ceramicists, he works within the natural structure of exhibition spaces, tying these architectural environments into his complex and organic installations. Sabin’s well-honed technique and use of symbolic imagery explores themes of fecundity and fragility as well as strength and protection and emulation of the sublime.

Khalilah Birdsong in Modern Luxury Palm Beach Magazine

December 1, 2021

by voltzclarke

As if The Colony Hotel could not get better, world-renowned artist Khalilah Birdsong shares a solo exhibition, The Pilgrimage, at Voltz Clarke Gallery’s rotating exhibition in the hotel’s Solarium. Birdsong’s inspiration for each piece stems from her passion for nature and the environment, which can be spotted in museums from London to Germany and beyond. Large-scale pieces in this collection emphasize Birdsong’s technique, utilizing loose and free painting mechanisms. This collection is on view from Jan. 16 through spring 2022, capturing the annual seasonal migration to Palm Beach at such a fitting time. 155 Hammon Ave., Palm Beach

Bradley Sabin in Garden & Gun Magazine

November 30, 2021

by voltzclarke

For New Orleans-based sculptor Bradley Sabin, there’s no such thing as too many magnolias; he has a Japanese magnolia in his yard at home, and he’s made tens of thousands of ceramic magnolia blossoms glazed in deep reds, pinks, whites, and metallic blacks. “I have several flower forms I use, but people always gravitate to magnolias,” he says, “and this is a way to bring that nature inside.”